Tuesday, February 26, 2013

Top 10 Electropop Albums since 2000


Top 10 Electropop Albums since 2000
Electropop, or synthpop, music is based around the use of synthesizers as the predominant instrument.  In several ways, electropop is an experimental meshing of electronic, punk, and 80’s style glam rock.  Many groups, that are associated with this subgenre, have only a few members since most the recordings are created through the means of drums machines and other electronic replacements of instruments.  A common theme is the use of samples of other popular songs within an original piece.  The following compilation is the top 10 bands and albums that I believe to be at the apex of the listening experience for the modern electropop subgenre.

1.     Purity Ring – “Shrines”
Canadians Megan James and Corin Roddick formed Purity Ring in 2010, and “Shrines” was released in 2012 following the release of multiple singles in the previous year.  Purity Ring’s sound is focused intensely on synthesized sounds and riveting vocals.

2.     Crystal Castles – “II”
Ethan Kath and vocalist Alice Glass formed Crystal Castles in 2004 and released several EPs before the debut of their first album in 2008.  They are well known for frenzied live shows and the purposely low-fi sound of their recordings.

3.     Washed Out – “Within and Without"
Ernest Greene, stage named Washed Out, released his first EPs in 2009 and his debut album was released in 2011.  Much of his music not only has typical electropop influences but also hip-hop rooted inspirations.

4.     Grimes – “Visions”
Canadian Claire Boucher, stage named Grimes, released her first album in 2010.  Her music is geared more towards the dance music inspiration of the electropop subgenre.
5.     Toro Y Moi – “Causers of This”
Chazwick Bradley Bundick, better known as Toro Y Moi, released his first demo album in 2007 and then in 2009 released his first full-length album.  Aside from the experimental electronic sounds of Toro Y Moi, Bundick has released several other “stream of consciousness” styled recordings under a side project named Sides of Chaz.

6.     Phoenix – “Wolfgang Amadeus Phoenix”
The Versailles, France based band Phoenix released their first album in 2000.  After the release of their forth studio album, Phoenix made it on to the American alternative rock/pop radar.
7.     Passion Pit – “Manners”
Passion Pit formed in 2007 with members Michael Angelakos, Ian Hultquist, Ayad Al Adhamy, Thom Plasse, and Adam Lavinsky.  Xander Singh, Jeff Apruzzese, and Nate Donmoyer replaced the later three members respectively.
8.     M83 – “Hurry Up We’re Dreaming”
M83 was formed by Frenchmen Anthony Gonzalez and Nicolas Fromageau in 2001 and released its first album in the same year.  In 2011 the two members parted ways and after a time of having Gonzalez and his younger brother produce together, Jordan Lawlor replaced Fromageau.
9.     Chairlift – “Does You Inspire You”
Caroline Polachek and Aaron Pfenning formed Chairlift in 2005 and released their first album in 2007.  Patrick Wimberly joined the group in 2007 and in late 2010 Pfenning left to pursue a solo career.
10.  MGMT – “Oracular Spectacular”
Andrew VanWyngarden and Ben Goldwasser formed MGMT in 2004 and recruited the remainder of the band, Will Berman, Matt Asti, and James Richardson, after the release of their first album in 2007.

Top 10 Best of the Swampers



Most people today have never heard of Muscle Shoals, Alabama, but if they have, it’s probably due to its incredible history in producing popular music in the 1960s and 1970s. Known at the time as the "Hit Recording Capital of the World,” a group of local studio musicians casually known as The Swampers (a name derived from being hired help, or call-in musicians) cultivated a unique sound that resonated worldwide, attracting famed artists who wanted the sound that Mick Jagger described as being “pretty funky.”  This Muscle Shoals Rhythm Section brought black and white musicians together to share their influences and talents at a time when doing so was unusual in America, particularly for a small town in the South.  However, time has passed, and the Muscle Shoals legacy has begun to fade from the consciousness of today’s youth.  This year at Sundance Film Festival, the world will be reminded of the Muscle Shoals Sound in a documentary featuring interviews from the musicians and studio owners involved in “doing [music] slightly differently.”
·         The Staple Singers: “I’ll Take You There”
o   http://www.youtube.com/watch?v=uY3vgBzgYn4
“I’ll Take You There” was number one on the US Pop Chart in 1971.
·         Paul Simon: “Kodachrome”
After hearing “I’ll Take You There” by The Staple Singers, Paul Simon asked to have the same black musicians play on his songs. He was answered with “That can happen, but these guys are mighty pale.”
·         Etta James: “Tell Mama”
At Muscle Shoals, producers were able to mix Etta’s vocal recording in order for it sound stronger on her high notes, which previously sounded distorted.
·         Aretha Franklin: “Chain of Fools”
This is perhaps one of Aretha Franklin’s most well-known and adored songs.
·         Wilson Pickett: “Mustang Sally”
Aretha Franklin suggested the title when the song was going to be written as a joke about a friend wanting a mustang.
·         Wilson Pickett and Duane Allman: “Hey Jude”
When the owner of FAME studios in Muscle Shoals was asked who played the guitar solos on this song, Duane Allman, who later formed the Allman Brothers Band, was described as "some hippie cat who's been living in our parking lot."
·         Wilson Pickett: “Land of a Thousand Dances”
Pickett’s recording of this song was an R&B #1 and his most successful pop hit.
·         Percy Sledge: “When a Man Loves a Woman”
Percy Sledge improvised this song as he was singing it, referring to the melody and rhythm.
·         The Rolling Stones: “Wild Horses”
The Rolling Stones came all the way from England just for the “funky” sound of the Swampers.
·         R.B. Greaves: “ Take a Letter Maria”
The Swampers provided a Latin influence on this song, which wasn’t origionally characteristic of their sound
·         Carrie Underwood: “Before He Cheats”
This is one of the more recent hits from Muscle Shoals. I personally think it has a much different sound than what made Muscle Shoals famous, but the song was received well in terms of singles sold and chart rankings.
·         Lynard Skynard Sweet Home Alabama
o   This was not actually recorded in Muscle Shoals, but Muscle Shoals is referenced in the lyrics, and Lynard Skynard recorded often in Muscle Shoals.
http://www.youtube.com/watch?v=9Cyokaj3BJU

"Muscle Shoals has got the Swampers
And they've been known to pick a song or two
Lord, they get me off so much
They pick me up when I'm feelin' blue."

Tuesday, January 29, 2013

YouTube Overview of Chick Corea's Music Career


YouTube Overview of Chick Corea’s Music Career.

The following collection of Youtube videos represents Chick Corea’s progression as a musician. It parallels his development as portrayed in Grove Music Online.


Mongo Santamaria, Latin Band– 1962 – Early Start



Willie Bobo, Latin Music - 1962-1963 – Early Start



Blue Mitchell, 1964-1966 – First recordings as a leader



Stan Getz, – 1967 – First recordings as a leader


Miles Davis, – 1968 – Marked the beginning of his exploration of free improvisation

Two Important Jazz Rock albums


            In a Silent Way – 1969


            Bitches Brew -1970


The Band Circle – 1970 – with Dave Holland, Barry Altschul and Anthony Braxton – Took off from Miles Davis


Chick Corea Solo Album – Improvisation – 1971 – An urge for more lyrical context for his music.


Return to Forever– with Stanley Clarke and Airto Moreira
Chick Corea’s main focus during the 1970’s. Though he kept the band name the same, the members of the group changed three times.


A.) Latin Rhythms – Early 70s


B.) Powerful Rock Band – Mid 70s



C.) Small string and Brass ensembles with Latin, Spanish, and Classical Traditions– Late 70s


Throughout the 1980’s, Chick Corea had many significant collaborations with different artists


Gary Burton – 80’s



Herbie Hancock – 80’s


Mike Brecker 80’s



Trio Music – 1981


Elektric Band – Late 1980’s with John Patitucci and Dave Weckl


Bobby McFerrin -1990s 

Stravinsky’s Symphonic War in Three Movements


            If tasked to create a theme fitting for 20th century warfare, a composer could include bombastic timpani booms that mimic properly placed explosions. Such a composer could also employ complementary yet almost conflicting wind and string ensembles that create a chaotic and exceptionally urgent tone.  Russian composer Igor Stravinsky achieved this venture in his “Symphony in Three Movements”, written between 1942-1945.
            Haven’t heard of Stravinsky? Maybe the “Rite of Spring” comes to mind. Stravinsky reminisces of a 20th century Stella Sung, who is known for her piece “Atlas’s Revenge.”  His sheer power is equal to that of Richard Wagner’s “Flying Dutchman.” Stravinsky is known for pushing the musical boundaries of musical design by having primitive rhythmic drives and innovative motifs that appear throughout a piece. “Symphony in Three Movements” is no exception.
Some emphasis should be noted about the title of the piece: symphonies are usually structured to be played by an orchestra and have four movements, not three. Potentially this could indicate what critiques should expect during a listen through: Stravinsky didn’t care to appease anyone.
            Written in response to the Second World War, this piece seemed to personify the struggles faced by an invaded country.  To one’s ears, the first movement narrates the dynamic between an invading army and its victim.  Immediately into the piece, the violins, the brass section, and the timpani force their way into your eardrums. Once deployed, the interplays between the woodwinds and the violins as well as the trumpets and violins imitate a sense of on and off seek and destroy. The movement then transitions into the aftermath after fighting has concluded where a softer tone, led by the slow bowing of the violins and the interludes of the clarinets and oboes, exists. Still though, there is a sense of urgency and confusion. Towards the end of the movement, the battle seems to be over, yet the war continues on. This enemy army filled with timpani blasts and brass battalions moves on to the next victim.
            Searching for a piece that embodies raw power? Look no further Blazers and Blazerettes. The repeating motifs presented are quite enjoyable, though not overwhelming, and the subtle plucking of the cellos and double bass carries a rhythmic flavor through the movement. Stravinsky’s first movement of the “Symphony in Three Movements” is yours to enjoy.